Materials
Ink
I use Winsor & Newton Black India Ink as this is what I first learnt with.
Black creates a nice, clear, solid line whereas some colours of ink tend to be more transparent on the page. I’ve tried cobalt blue, purple and gold and they are all fun to experiment with but have a different, more watered-down feel.
Brushes
I use ProArte Polar brushes in size 2 and size 4 but try playing with different brushes and see what you find that produces the look you like for your lettering.
Paper
A smooth paper is best as the ink will show every bump of the paper. Papers come in different weights, which means different thicknesses. Due to the water content of the ink, a slightly thicker than normal stock is great as the water doesn’t absorb so much into the page and the paper stays smooth and doesn’t crumple.
I use Daler & Rowney Heavyweight 220gsm and also Moleskine watercolour sketchpads or cold pressed watercolour paper from my local art shop.
Water
You’ll also need a simple glass of water. Use something that you don't mind getting messed up pretty quickly. I fell in love with this water glass at Anthropologie and bought it in a sale as a bit of a treat. I love how it’s covered in ink and paint and has become part of my creative days.
Tablecloth
As I practice on my coffee table, I cover it up with a messy old tablecloth to protect it as ink is pretty difficult to get out of anything. I use the corner of it to wipe my brushes when they have too much water on.
A touch of gold
I love adding some gold to my pieces. I’ve tried lots of different gold inks but my favourite combination is using black ink and then adding a flourish of Roberson’s Liquid Metal.
